Eric Hart is the awesomest photographer ever. I'm not saying that Eric's photography is necessarily awesome. In other words, he's a photographer, and he also happens to be incredibly awesome.

2.25.2005

Scariest Movies Ever

I've spent too much time and money trying to find the scariest movies ever. And then I find out there are already a bunch of lists around, like this one from Entertainment Weekly. It has most of the safe ones that appear in everyone's best of list, like the Exorcist, and Psycho. It's kind of like saying Citizen Kane is the greatest movie ever; after enough people in Hollywood repeat it ad nauseum, we just learn to accept it as fact. "The Exorcist is the scariest movie ever." Why? Because a list told us so? There are plenty of people making their own lists, with most of them existing just to list movies that are the opposite of the industry faves - cheap and bloody.
But what about damn good scary movies, the kind you have to watch through a hole in your blanket? The ones where watching it in the reflection of a mirror seems safer than looking at it straight on? Where you instinctively lift your feet on the couch because you're worried something might be waiting to grab them underneath? There's a good list of the 100 scariest movie moments of all time at retroCrush, and a completely different, but similarly titled list from Bravo, which get closer to the heart of the matter. But for a movie to be truly scary, it needs to have an effect on you which grows throughout the entire film, until by the end, you're just completely freaked out and can barely sip your milk.
One film which does this extremely well is The Haunting. I mean the original, not that Catherine Zeta-Jones travesty. With its incredible atmosphere and effective visuals, it manages to instill fear without actually showing anything. Everytime I watch this, I wet my bed retroactively.
Number two, in no particular order, would be Rosemary's Baby. Again, without anything being made explicit, it still manages to create this horrible feeling that something is incredibly wrong, even before the nosy old people show up. The whole film is an exercise in paranoia surrounded by what should be the complete mundane.
In the Mouth of Madness is much more visually a horror movie. John Carpenter seems to be some kind of horror genius with the unfortunate affinity for cheap rubber monsters. Yet in spite of this, or maybe because of it, his movies are genuinely scary. Except for They Live which was total crap. Ok, he actually has more crappy movies than he has good ones. But this one is good. When he hits the kid with the old man mask on the bike in the dark, I can literally smell my own fear. It's like the Eqq Theory song says, "Old bald midgets on bikes are spooky."
There it is, my top three. I've never actually seen the Exorcist, even though I own it, which sounds dumb. So the only reason I can't comment on it is from my own sheer laziness. Laziness of the worst kind - too lazy to watch TV. Now that's lazy. Coming up next week - the Laziest Movies of All Time.

2 Comments:

Anonymous Anonymous said...

you never saw the exorcist? pshh. it has that great 70's editing tone and dialogue style. i'd mimic it here but it kind of loses the point if you can't hear it. you know, just like the 50's had their own dialogue style. "my name is bill. i-i've worked here for 15 years! you gotta believe me! here's my drivers license." kind of like tony doing comedy writing, or the entire "they do it every time" comic series. speaking of the 50's and twilight zone, did you see The Village? i thought the biggest problem was that it was exactly like a twilight zone episode. that's a problem cause the twilight zone was only half an hour, and the village should have been only half an hour, but m night blew it up to almost 2 hours using nothing but sheer pretention. i mean c'mon, how long can you extend a scene? if he directed jaws, it wouldn't be 1/10 as scary as it is now. "dunh dunh...oh this is gonna be scary! dunh dunh...get out of the water, something's coming! dunh dunh...c'mon you fools! dunh dunh...c'mon dunh dun... well, what are you waiting for? dunh dunh....dunh dunh...dunh dunh....do we have any nachos? dunh dunh...oh wait, they're on top of the microwave, i put them there cause they couldn't fit in the cupboard. dunh dunh...wait, now he's flashing back to the 5 minutes he skipped over 10 minutes ago.

8:20 AM

 
Blogger Eric Hart said...

The biggest problem I had with the Village was once you find out the "twist" the whole plot starts disintegrating into holes. "So if the elders founded the village in secret years ago, where did all those other people come from? They're not all the elders kids, right?" And then the tombstone in the beginning that reads "1897". If the people were completely oblivious to the outside world, then the date shouldn't have mattered. It's not like one of them would escape, see a car, and go, "Wait! What's a car doing here in 1897? That must mean... we're really living in the future!" No, no, no, nothing about this seems right at all. That means he put in something to trick the audience and show how clever he was, but that makes absolutely no sense in that world once he reveals his cleverness. Thus nullifying his cleverninity. That last sentence has never been written before, making me like Natalie Portman.

1:35 AM

 

Post a Comment

<< Home

 
Name:
Location: New York, NY, United States

I'm a props carpenter and a photographer